Tag: New Yorker

What was the “Is Trump a Fascist?” Debate Really All About?

I have a new piece up at The New Yorker. I take stock of the debate over whether Trumpism is an authoritarian/fascist/tyrannical formation. Throughout the Trump years, I consistently argued that that what I call the strongman thesis (just as a catch-all way of describing the various terms that were used for Trumpism) was not the most helpful way of thinking about what was going on with Trump or on the right. In this piece, I try to step back from that debate and examine what was really driving it. Long story short: where liberals and leftists saw power on the right, I saw, and continue to see, paralysis. Not just on the right, in fact, but across the political […]

2019 In Writing

I did a lot of writing this year. This is a brief list of some of my favorites. My book, The Enigma of Clarence Thomas, came out. It got some pretty great reviews. You should buy it. I began writing for The New Yorker Online, which has been a joy. My first piece was on political converts, men and women who make the journey from one ideology to another, and why the move from left to right has mattered more, over the course of the last century, than the move from right to left. My second piece was on Eric Hobsbawm, a Communist and a historian, and how his failure at the first made possible his success at the second. […]

The Creative Class Gets Organized

The staff of The New Yorker—the people behind the scenes: editors, fact checkers, social media strategists, designers—are unionizing. They’ve even got a logo: Eustace Tilly with his fist raised. If you’re a loyal reader of the magazine, as I am, you should support the union in any way you can. Every week, they bring us our happiness; we should give them some back. They’re asking for letters of solidarity; email them at newyorkerunion@gmail.com. If you look at their demands, they read like a tableaux of grievances from today’s economy: no job security, vast wage disparities, no overtime pay, a lot of subcontracting, and so on. The creative class used to see itself and its concerns as outside the economy. Not […]