For Americans my age or older, Ravel’s Boléro will always be the music of Blake Edwards’ film “10,” which came out in 1979. Starring Dudley Moore and Julie Andrews, the romantic comedy introduced Bo Derek, she of the braids and breasts, to the world. Thanks to Bo and Blake, Boléro came to be associated with sex of the pure fucking sort, so much so that Allan Bloom singled the music out for criticism (along with “rock ‘n roll”) in The Closing of the American Mind. More innocent times, those were. Last night, at the New York City Center, my daughter and I saw Boléro performed as a ballet. A ballet is what the music was originally commissioned as, but it’s […]