Two weeks ago I wrote, “When Steven Spielberg makes a movie about the Holocaust, he focuses on a German. When he makes a movie about abolition, he focuses on a white man. Say what you will, he’s consistent.” My comment was inspired by historian Kate Masur’s excellent New York Times op-ed, which argued that Spielberg’s film Lincoln had essentially left African Americans offstage or in the gallery. In Spielberg’s hands, blacks see themselves get rescued by a savior who belongs to the very group that has ravaged and ruined them. Just as Jews do in Schindler’s List. The difference is that in the case of emancipation, blacks—both free and slave—were actually far more central to the process of their own […]

The defeat of the recall effort in Wisconsin has, understandably, troubled the waters on the left. Everyone from Ezra Klein to Doug Henwood to Josh Eidelson is trying to figure out what it means. I’ve been doing the same, though I’m still not sure. So I put the question to my Facebook friends.  Lots of folks participated in the discussion: bloggers like Aaron Bady and Seth Ackerman, political scientists like Scott Lemieux and Alan Ryan, journalists like Doug, and labor experts like Gordon Lafer, Stephanie Luce, and Nathan Newman. The discussion was kicked off by my posting Klein’s observations on FB, and everyone took it from there. • • • • • • Corey Robin Here are some sobering thoughts […]