Monday Morning at the Wagners
From Cosima Wagner’s Diaries 1878-1883:
Coming from his bath, R.[ichard] says to me: “You are quite right—we should have slaves”… [January 7, 1878]
One more potential bit of evidence, incidentally, for my claim that Nietzsche’s arguments in early essays like “The Greek State” and in Birth of Tragedy may have been about real, not metaphorical, slavery.
In her diary, Cosima Wagner makes clear that she and Richard had been discussing the benefits of slavery over wage labor (“I declared recently that slaves had been happier than the present-day proletariat”), which was one of the main defenses of slavery in the years leading up to the Civil War in the South. Though the relationship between Wagner and Nietzsche was, in 1878, on the brink of a permanent rupture, we know that much of Birth of Tragedy was inspired by Nietzsche’s friendship with Wagner. It seems plausible that Cosima’s table talk with Richard about slavery in the late 1870s was an extension of earlier dialogues about slavery between Richard, Cosima, and Nietzsche in the early 1870s.
As I’ve argued before, the battle over slavery and emancipation in the Americas was watched closely in Europe, and though we know a lot about the left’s response to that battle, we know less about the right’s. I’ve speculated that Nietzsche’s writings on slavery, which are often taken to be more rhetorical and psychological rather than statements about actually existing slavery, should be thought of as perhaps the leading edge of European speculation about the cultural and political costs of ending human bondage. Which, again, was for Nietzsche a matter of present history.
Ultimately, what I’m interested in is how these discussions of abolition and emancipation on the European right in the latter half of the 19th century play a role in the development fascist political economy in the first half of the 20th century. The role of slavery in the Nazis’ thinking about settlement in the East—and in their actual practice in the 1940s—remains something of a mystery to me. How was it possible, after a century of bourgeois celebration of free labor and wage labor, for a European country to make slave labor the foundation of its economic thinking—not at the peripheries of its extracontintental colonies but at the heart of its empire? During World War II, it’s even been reported, Wagner’s grandson used slave laborers from a nearby concentration camp in his Bayreuth productions.
In the meantime, there’s Cosima Wagner, giggling with her husband (after he says we should have slaves, he continues, “but who should be the first slave? Ross or Georg?” Cosima notes, “We laughed heartily”), fresh from his bath, over the question of human bondage.