My wife and I saw the new Leni Riefenstahl documentary this weekend. Compared to the documentary from the early 1990s, “The Wonderful Horrible Life of Leni Riefenstahl,” the new one falls short. Though stylishly made, it doesn’t break much new ground, and in certain ways, fails to do what the earlier documentary did: Explain why people are so fascinated by Riefenstahl in the first place. The first documentary devotes a good chunk of the film to explaining how pioneering were Riefensthal’s techniques, how innovative her approach to film and propaganda. It’s only by appreciating her filmic achievements that we can wrestle with what a monster she was. The original film quotes her saying something to the effect that people are […]