Tag: Katie Roiphe

What the F*ck is Katie Roiphe Talking About?

Claire Messud has written a novel that apparently features a character named Nora. Publisher’s Weekly posed the following question to Messud: “I wouldn’t want to be friends with Nora, would you? Her outlook is almost unbearably grim.” Messud responded: For heaven’s sake, what kind of question is that? Would you want to be friends with Humbert Humbert? Would you want to be friends with Mickey Sabbath? Saleem Sinai? Hamlet? Krapp? Oedipus? Oscar Wao? Antigone? Raskolnikov? Any of the characters in The Corrections? Any of the characters in Infinite Jest? Any of the characters in anything Pynchon has ever written? Or Martin Amis? Or Orhan Pamuk? Or Alice Munro, for that matter? If you’re reading to find friends, you’re in deep […]

When Katie Roiphe and Dwight Garner keep me up at night

I spent last night tossing and turning over Dwight Garner’s review of Katie Roiphe’s latest book of essays. Garner’s praise of Roiphe’s prose is puzzling. This is a writer, after all, whose one talent is for making you like things you dislike just because she dislikes them (and vice versa); her voice and sensibility are that grating. More puzzling, though, is Garner’s prose: Ms. Roiphe’s are how you want your essays to sound: lean and literate, not unlike Orwell’s, with a frightening ratio of velocity to torque. Set aside, if you can, the comparison to Orwell. (I know, it took me a while, too.) The sentence makes no sense. As someone more literate in physics explained to me, the only […]

Making Love to Lana Turner on an Empty Stomach (and Other Things That Caught My Eye)

In my first year of grad school, I read Naming Names, Victor Navasky’s study of the blacklist in Hollywood. That, and Michael Rogin’s The Intellectuals and McCarthy, made me a permanent junkie for all things McCarthy. The blacklist was a shameful episode in American history, but it had its bright spots.  One of them was Kirk Douglas, who helped break it by insisting that the blacklisted Dalton Trumbo receive the screenwriting credit for Spartacus.  The San Francisco Jewish Film Festival is now honoring the 94-year-old Douglas with its Freedom of Expression Award. Douglas discusses his experiences with Spartacus—as well as being Jewish in Hollywood—here.  Best quote from Douglas: “I always fasted on Yom Kippur. I still worked on the movie […]