At National Review Online, Jonathan Adler writes:
Over at the progressive blog, Crooked Timber, Corey Robin lists “Eleven Things You Did Not Know About Clarence Thomas.” The items Robin lists shouldn’t surprise avid court watchers, or others who have paid much attention to the conservative justice. Judging from the comments, however, several of the items were quite a revelation to CT’s readership. I can only imagine the surprise if Robin had blogged on Justice Thomas’s jurisprudence, further challenging the caricature of Clarence Thomas that continues to dominate so much liberal commentary about him.
In any event, you’d think Adler would have been pleased that a group of progressives were having some of their misconceptions about Thomas challenged, if not dispelled. Instead, he complains about the fact that the misconceptions of a group of progressives are getting challenged, if not dispelled. Apparently the only thing worse than the left not knowing something about the right is…the left learning something about the right.
Wingers whine when we don’t pay attention to them; they whine when we do pay attention to them. Why do they whine so much? What does the winger want?
From The Reactionary Mind:
“The 1960s are rightly remembered as years of cultural dissent and political upheaval, but they are wrongly remembered as years stirred only from the left,” writes George Will in the foreword to a reissued edition of Barry Goldwater’s The Conscience of a Conservative. Several decades ago, such a claim would have elicited puzzled looks, if not catcalls and jeers. But in the years since, the publication of a slew of books, each advancing the notion that most of the political innovation of the last half-century has come from the right, has led historians to revise the conventional wisdom about postwar America, including the 1960s. The new consensus is reflected in the opening sentence of Ronald Story and Bruce Laurie’s The Rise of Conservatism in America, 1945–2000 : “The central story of American politics since World War II is the emergence of the conservative movement.” Yet for some reason Will still feels that his kinsmen are insufficiently appreciated and recognized.
Will is hardly the first conservative to believe himself an exile in his own country. A sense of exclusion has haunted the movement from the beginning, when émigrés fled the French Revolution and Edmund Burke and Joseph de Maistre took up their cause. Born in the shadow of loss—of property, standing, memory, inheritance, a place in the sun—conservatism remains a gathering of fugitives. Even when assured of his position, the conservative plays the truant. Whether instrumental or sincere, this fusion of pariah and power is one of the sources of his appeal. As William F. Buckley wrote in the founding statement of National Review, the conservative’s badge of exclusion has made him “just about the hottest thing in town.”
While David Hume and Adam Smith are often cited by the more genteel defenders of conservatism as the movement’s leading lights, their writings cannot account for, as we have seen, what is truly bizarre about conservatism: a ruling class resting its claim to power upon its sense of victimhood, arguably for the first time in history. Plato’s guardians were wise; Aquinas’s king was good; Hobbes’s sovereign was, well, sovereign. But the best defense of monarchy Maistre could muster was that his aspiring king had attended the “terrible school of misfortune” and suffered in the “hard school of adversity.” Maistre had good reason to offer this defense: playing the plebe, we now know, is a critical weapon in the conservative arsenal. Still, it’s a confusing defense. After all, if the main offering a prince brings to the table is that he’s really a pauper, why not seat the pauper instead?
Conservatives have asked us not to obey them, but to feel sorry for them—or to obey them because we feel sorry for them. Rousseau was the first to articulate a political theory of pity, and for that he has been called the “Homer of the losers.” But doesn’t Burke, with his overwrought account of Marie Antoinette that we saw in chapter 1—“this persecuted woman,” dragged “almost naked” by “the furies of hell” from her bedroom in Versailles and marched to “a Bastile for kings” in Paris—have some claim to the title, too?
Or just listen to Chet Baker…
Or this lovely version from Thelonious Monk…